The studio
We’ve spent the last 25 years editing stories in all kinds of forms—commercials, films, documentaries, music videos, animation and, more recently, AI.
Over the years, we’ve had the chance to work closely with directors, agencies and production companies, always with the same idea in mind: finding the right rhythm, the right emotion and the right way to tell each story.
We’ve chosen to keep the studio independent so we can stay involved in every project from the first conversation to the final delivery. For us, editing has never been just about putting images together. It’s about instinct, rhythm, music and knowing when to let a moment breathe.
[thinking]
WE BELIEVE IN CREATING EMOTION. IN STORIES THAT STAY WITH YOU. EVERY FRAME IS A CHOICE. EVERY CUT HAS A RHYTHM. EVERY STORY SHOULD LEAVE A MARK.
BRAND FILMS
Commercials
IA Spots
MUSIC VIDEOS
[CRAFTING]
WE UNDERSTAND THE IDEA BEHIND THE IDEA, AND WE STAY CLOSE TO THE PROCESS—ACCESSIBLE, INVOLVED AND ATTENTIVE TO EVERY DETAIL.
Audio Editing
SOCIAL CONTENT
MOTION Graphics
Video CONCEPTS
[DELIVERING]
WE WORK WITH TODAY’S AUDIENCE IN MIND. FARMING AURA WHENEVER WE CAN.
case study
documentary
EDITING & GRADING
Noel Rayo
DIRECTOR
OUR FOUNDER STARTED HIS CAREER EDITING PORN.
NOT THE MOST OBVIOUS FILM SCHOOL, BUT A PRETTY GOOD PLACE TO LEARN ABOUT RHYTHM, TENSION, TIMING AND HUMAN EMOTION. IT ALSO TAUGHT HIM EARLY ON THAT A CUT CAN CHANGE EVERYTHING.
FROM THERE, HE JUMPED INTO ADVERTISING AGENCIES, FICTION, MUSIC VIDEOS AND COMMERCIALS, WITH REGULAR TRIPS TO NEW YORK AND L.A. ALONG THE WAY.
TWENTY-EIGHT YEARS LATER—AND WITH MOST OF THE ACTORS NOW FULLY DRESSED—HE’S CUT JUST ABOUT EVERYTHING: FILMS, DOCUMENTARIES, SERIES, COMMERCIALS, TV, ANIMATION, CASE STUDIES AND, YES, AI FILMS.
ALL THOSE YEARS, ALL THOSE PROJECTS AND, ABOVE ALL, ALL THE PEOPLE HE’S WORKED WITH HAVE GIVEN HIM THE ABILITY TO QUICKLY UNDERSTAND WHAT A DIRECTOR OR CREATIVE IS TRYING TO MAKE, EVEN WHEN IT’S STILL JUST A FEELING, A REFERENCE OR A FEW LINES ON A PAGE.
HE THINKS LIKE AN EDITOR, BUT WITH THE HEART OF A DIRECTOR—FINDING THE LOOK, THE RHYTHM, THE MUSIC AND THE MOMENTS THAT MAKE AN IDEA COME ALIVE.
AFTER 28 YEARS, THE TOOLS HAVE CHANGED. THE JOB HASN’T: UNDERSTAND THE IDEA, FIND WHAT MAKES PEOPLE FEEL SOMETHING, AND CUT THE SHIT OUT OF IT UNTIL IT WORKS.
